This module builds on techniques learned in Studio Composition level C (10 11042). Starting from a group recording session to gather source sound material, classes (nominally fortnightly) focus on techniques of digital sound editing, processing and mixing, together with discussion of compositional and aesthetic issues. The learning process is significantly informed by guided reading and listening ¿ attendance at the weekly MiniBEAST listening sessions and at Birmingham ElectroAcousticSound Theatre events in Birmingham are compulsory components of the course, for which students are required to keep a diary containing critical notes on the works presented; they should therefore avoid scheduling instrumental lessons or committing to any other activities at these times. In Semester 2, attention shifts to the composition of individual pieces by each student; scheduled class times provide an opportunity for the tutor to monitor and give feedback on the progress of each student¿s piece as it develops.
Learning Outcomes
By the end of the module the student should be able to:
Produce studio-based source sound recordings
demonstrate an understanding of file structures and of the ways in which the various applications interact.
demonstrate an imaginative and sensitive use of the resources, and an awareness of how an individual's compositional processes relate to the wider context of the genre.
show understanding of the creative, musical and technological processes involved in working in the electroacoustic medium
demonstrate an awareness of relevant techniques, history and repertoire of electroacoustic and other related music.