This module will consider the development of modern tragicomedy from Chekhov’s realism through to the Beckett’s metatheatre and the Theatre of the Absurd. It will also look at contemporary writers such as Alan Bennett. We will discuss how tragicomedy potentially offers a more complex understanding of human experience than tragedy or comedy, with reference to existentialist philosophies, and we will also examine how tragicomedy aims to evoke a complex audience response.
Learning Outcomes
By the end of the module the student should be able to:
Define the main characteristics of modern tragicomedy.
Characterize the social, political and philosophical contexts for the development of modern tragicomedy.
Analyze and compare the work of several key writers of the genre.
Articulate the major critical frameworks used in relation to the genre.
Communicate explanation and analysis of the subject clearly and effectively, orally and in writing.
Work with an appropriate degree of learner independence to explain and analyze aspects of modern tragicomedy.