This module explores the painting and sculpture produced by the Pre-Raphaelites and associated artists from the 1840s to 1890s, and responses to these art works from the early twentieth century to today. It starts by questioning who the Pre-Raphaelites were, by discussing the idea of a Pre-Raphaelite sisterhood, and the notion of Pre-Raphaelitism. We’ll discuss their distinctive technique, based on visits to the outstanding collections of Pre-Raphaelite painting, drawing, sculpture, photography, and stained glass at Birmingham Museum and Art Gallery. The module will then proceed thematically, using recent scholarly approaches to the Pre-Raphaelites to examine their work. We’ll draw on, for example, feminist, queer, post-colonial, anthropological and eco-critical methodologies to evaluate themes such as class, race, gender, sexuality, orientalism and nature in their work. Artists to be discussed include Dante Gabriel Rossetti, Elizabeth Siddal, John Everett Millais, Simeon Solomon, Alexander Munro, William Holman Hunt, Edward Burne-Jones, Kate Bunce, Thomas Woolner.
Learning Outcomes
By the end of the module students should be able to:
Demonstrate a detailed and comprehensive knowledge of the module’s taught content.
Describe relationships between relevant artworks and the cultural and social environment of the period covered by the module.
Identify and analyse relevant artworks produced during the period covered by the module.
Comment on theoretical and other matters embodied in primary or other sources relating to the period covered by the module.