This module comprises a survey of the musical theatre, placing the genre in its cultural context alongside close analytical study of scores and libretti. The works of composers and lyricists including Kern, Hammerstein, Gershwin, Rodgers, Hart, Porter, Bernstein and Sondheim will be examined. Although concentrating on American output of the 20th century, predecessors of the genre such as operetta and US theatre forms will also be considered.
Learning Outcomes
By the end of the module students should be able to:
demonstrate a sophisticated and nuanced understanding of the development of the genre through the 20th century and its generic sources.
demonstrate an ability to produce considered assessed work independently, employing appropriate resources
demonstrate an ability independently to identify and employ literature and music in their assessed work.
cite, and where appropriate, analyse, specific and suitable pieces of music as examples in support of their commentaries and evaluations.
Assessments: 10% Weekly reading responses (500 words); 40% Essay 1 (2000 words); 50% Essay 2 (2500 words) OR PowerPoint presentation with recorded narration, up to 20 minutes in duration (plus audio and/or video examples as appropriate up to an additional 5 minutes).
Reassessment: No resits are permitted in final year. If students miss the assessed task owing to extenuating circumstances, the failed task would be rescheduled at a later date.