Even as world music production creates new connections across international boundaries, local music making remains vibrant across Asia. These musical practices draw on long-standing methods of generating meaningful sound—by involving metaphor and myth, for example—to help local constituencies remain engaged with the changing nature of everyday life. This module explores the modes, ensembles, and theories of musical creativity practiced by musicians across the continent of Asia; we pay particular attention to instrumental and vocal music practiced in the Arab Middle East, Persia, Pakistan, India, China, Korea, Vietnam, Laos, and Indonesia. We undertake extensive discussion of these musics alongside listening exercises; performance exercises using some instruments from the region; and written exercises to develop general competencies in the music of Asia.
Learning Outcomes
By the end of the module students should be able to:
Identify specific musical characteristics of a wide variety of musics from the continent of Asia
Apply local theories of musical creativity to performance practice
Cite, and where appropriate, critically analyse, specific and suitable pieces of music found independently as examples of their commentaries and evaluations
Demonstrate an ability to produce sophisticated and nuanced assessed work independently using appropriate resources, literature and techniques