The module will examine the architecture and the decoration of public buildings (e.g. the Doge’s Palace; churches and scuole) in Venice and certain Venetian mainland territories during the course of the sixteenth century. It will examine, in particular, how the styles and subject matter changed during the period; chronicle the emergence of new kinds of building (e.g. the villa and new kinds of palace and church); and chart the effects of changing artistic practices. The architects covered will include Sanmicheli (in Verona) and Palladio (in Vicenza) as well as Sansovino (Venice’s official architect); among the artists studied will be Carpaccio, Titian, Veronese and Tintoretto. The module will place special emphasis on artistic traditions and themes that had a particular significance for Venice, and it will make regular reference to primary source material.
Learning Outcomes
By the end of the module students should be able to:
Demonstrate a detailed and comprehensive knowledge of the module’s taught content.
Describe relationships between relevant artworks and the cultural and social environment of the period covered by the module.
Identify and analyse relevant artworks produced during the period covered by the module.
Comment on theoretical and other matters embodied in primary or other sources relating to the period covered by the module.
Assessment
Assessment Methods & Exceptions
1 x 2500-word essay (50% of the final module mark)
1 x 1.5-hour unseen examination (50% of the final module mark)
Alternative assessment if on campus activity is restricted: proctored exams will be converted to take home papers.